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tv   [untitled]    January 16, 2014 12:30pm-1:01pm PST

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i think it is fun for them, they see our work process, our discussions, the decisions we make. it is good for us. we kind of behavior little bit when we have people in the audience. msk (music) >> we are rehearsing for our most expensive tour; plus two concerts here. we are proud that the growth of the orchestra, and how it is expanded and it is being accepted. my ambition when i came on as music director here -- it was evident we needed absolutely excellent work. also evident to me that i thought everyone should know that. this was my purpose. and after we opened,
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which was a spectacular opening concert about five weeks after that the economy completely crashed. my plan -- and i'm absolutely dogmatic about my plans --were delayed slightly. i would say that in this very difficult timefor the arts and everyone, especially the arts, it's phenomenal how new century has grown where many unfortunate organizations have stopped. during this period we got ourselves on national radio presence; we started touring, releasing cds, a dvd. we continue to tour. reputation grows and grows and grows and it has never stopped going forward.
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msk(music) >> the bay area knows the orchestra. you maybe take things for granted a little bit. that is simply not the case will go on the road. the audiences go crazy. they don't see vitality like this on stage. we are capable of conveying joy when we play. msk(music) >> any performance that we do, that a program, that will be something on the program that you haven't heard before. string orchestra repertoire is pretty small. i used to be boxed into small repertoire. i kept constantly looking for new repertoire and commissioning new arrangements.
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if you look at the first of the program you have very early, young vibrant mendelson; fabulous opener and then you have this fabulous concerto written for us in the orchestra. is our gift. msk(music) >> and then you have strauss, extraordinary piece. the most challenging of all. string orchestra work. 23 solo instrument, no violin section, now viola section; everybody is responsible for their part in this piece. the challenge is something that i felt not only that we could do , absolutely could do,
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but i wanted to show off. i can't tell you how aware i am of the audience. not only what i hear but their vibes, so strong. i have been doing this for a long time. i kind of make them feel what i want them to feel. there is nobody in that audience or anywhere that is not going to know that particular song by the fourth note. and that is our encore on tour. by the way. i am proud to play it, we are from san francisco.
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we are going to play that piece no matter where we are. >> san francisco parks, golden gate park transforms into one of the greatest music festivals of all time, let's journey, inside, outside land. ♪ >> to this, our 6th year doing the outside lands and our relationship with san francisco, rec and park. and we work very closely with them in the planning and working very closely with the neighborhood organizations and with the city supervisors and with the city organizations and with the local police department, and i think that the outside lands is one of the
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unique festivals in the world and we have san francisco and we have golden gate park and we have the greatest oasis, in the world. and it has the people hiking up hills and down hills and a lot of people between stages. >> i love that it is all outside, the fresh air is great. >> they have the providers out here that are 72 local restaurants out here. >> celebrating, and that is really hot. >> 36 local winerries in northern california and 16 brewers out here. >> and you have seen a lot of people out here having a good time and we have no idea, how much work and planning has gone
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into this to make it the most sustainable festival in the united states. >> and literally, in the force, and yeah, unlike any other concept. and come and follow, and the field make-up the blueprint of the outside land here in golden gate park and in the future events and please visit sffresh
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>> when there's good children's theatre it's good thoert and if it's good to her you will like it ever it's for children that's what i think. it's both a story for kids and a
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older people it's about loving a toy or friend and it's will what it means to get old. >> in 1986 my son was two and i decided i would like to make a developing rabbit i had never read it i heard it as a mother. my first version was a bedtime story recording and it's through that that i denied the at home and role determined how to produce the story. it's through licensed to it when i first made the dance i really watched any son and i took him
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to the perform he loved the performance and he loved it when somebody was reading to him he heard the language human resources usually when the rabbit come out he say oh, the rabbit. it's the talking and sliding and kids can relate to. and the adults loved nanna. now napping in a is the main adult figure in the show she represents stern love the fair is played but he same person and i think fairy is the thing have you for your first child pure love. i think nature is a beautiful
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thing and all widespread rabbits come to nature it's about how far and not something our kids get those days. ♪ ♪ ♪ there's fantastic spectacle what happens with the computes so i think in life performance you see it more successful and ask people to buy into your world so long as the world is consistent that you have on stage and film say, i want this message for kids. the world doesn't have to be spectacle it can be about relationships and a taking things seriously and not about


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